Bands did much of the bookings themselves in Grange Halls, all-ages clubs, teen fairs in the larger towns and relentlessly trying to get the attention of small, local radio stations that were largely forgotten by labels and distributors.
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Perhaps the crowd sizes were smaller, but it’s important to remember the distances between the small towns of the Inland Empire. Teen dances were just as popular on the east side of the Cascades as they were on the west, but we often overlook it. Top 20.Looking back on heyday of 50s and 60s teen-dance music in the Northwest we tend to forget there was also a very healthy scene in eastern Washington, Northern Idaho and to a lesser degree in eastern Oregon. Four years later, THE NYLONS brought Leka’s “embar rassing” ditty back to the U.S. Sarah Dallin, Keren Woodward, and Siobhan Fahey-Bananarama-returned “Na Na Hey Hey Kiss Him Goodbye” to the U.K. Before Steam went the way of all water vapor, more singles appeared, but only one made the charts ‘Tve Gotta Make You Love Me” (#46, 1970). When an album was need ed, Gary was approached, but refused to return to the studios. Paul assembled a Steam band to tour in support of the studio creation: Jay Babins (guitar), Ray Corries (drums), Mike Daniels (bass), Hank Schorz (key boards), Bill Steer (vocals), and Tom Zuke (guitar) were all from the Bridgeport area. Steam’s “Na Na ’ however, sold more than a million copies, and has been for years the unofficial anthem for the Chicago White Sox. Gary’s solo singles, which Leka and Reno had preferred to “Na Na ’ were eventually issued as by Garrett Scott, but not one even charted. Steam now there’s a name that sounds nebulous. Since no one wanted credit for creating the tune, a name for this nonexistent group had to be concocted. To the great surprise of all involved, the powers that-be at the label decided to release “Na Na”-“… an embarrassing record … an insult ’ in Leka’s opinion as the “X’ side on Fontana, a Mercury subsidiary. : Everything was ‘na na’ when you didn’t have a lyric.” “I started writing while I was sitting at the piano going ‘na, na, na, na, na, na, na, na. Dale Frashuer stopped by the studios that night and suggested using a 1961 ballad from the trio’s Chateau days called “Kiss Him Goodbye.” “I said we should put a chorus to it, “Leka told Fred Bronson in The Billboard Book of Number One Hits. To fill up the “B” side of the first single, Paul and Gary were sent back into the Mercury Sound Studios to cut a throwaway flipside. Reno liked the tracks, and thought that each would do well issued as an “Pl.’side. With Paul producing, four numbers were quickly canned.
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Gary DeCarlo, his old Chateau buddy, had convinced the label’s A & R man, Bob Reno, to let DeCarlo record some solo sides.
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The following year, Leka was working at Mercury Records. In 1968, Leka met Shelley Pinz the couple wrote and produced THE LEMON PIPERs'”Green Tambourine” in addition to other Pipers numbers. Paul became a tunesmith with Circle Five Productions. As time moved on, they separated but kept in touch. As the Chateaus, Gary DeCarlo (drums), Dale Frashuer, and Paul Leka (piano) recorded some failed 45s in the early ’60s for Coral and Warner Bros. STEAM NA NA HEY HEY KISS HIM GOODBYE (Gary DeCarlo, Dale Frashuer, Paul Leka) Fontana 1667 No. PLACE_LINK_HERE?wmode=transparent” width=”” height=”350″ >